Search icon
Arrow left icon
All Products
Best Sellers
New Releases
Books
Videos
Audiobooks
Learning Hub
Newsletters
Free Learning
Arrow right icon
Edit without Tears with Final Cut Pro

You're reading from  Edit without Tears with Final Cut Pro

Product type Book
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Pages 708 pages
Edition 1st Edition
Languages
Author (1):
Bruce G. Macbryde Bruce G. Macbryde
Profile icon Bruce G. Macbryde

Table of Contents (27) Chapters

Preface 1. Prologue 2. Part 1:Planning
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Audio in sync

When you add a camera clip to the timeline that contains both video and audio, you should trust that they are both in sync. There is a chance, though unlikely, that audio recorded by a camera using a lapel mic may have a slight audio delay if recorded over a long distance. You will have to compensate for that manually, by using Detach Audio and moving the detached audio track one frame at a time with the arrow keys.

Also, be aware that the difference may be less than one frame of video. If that is the case, audio can be adjusted at a sub-video-frame level. Pressing Command and the right and left arrow keys will adjust the audio playhead to as small as 1/80th of a video frame (see Chapter 6, Fixing and Enhancing the Audio for details).

If the shoot was a multi-camera shoot or a single camera with an external audio recorder, you need to synchronize the tracks into one entity. I prefer to use New Multicam Clip for all occasions, rather than just Synchronize Clips....

lock icon The rest of the chapter is locked
Register for a free Packt account to unlock a world of extra content!
A free Packt account unlocks extra newsletters, articles, discounted offers, and much more. Start advancing your knowledge today.
Unlock this book and the full library FREE for 7 days
Get unlimited access to 7000+ expert-authored eBooks and videos courses covering every tech area you can think of
Renews at €14.99/month. Cancel anytime}