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Edit without Tears with Final Cut Pro

You're reading from  Edit without Tears with Final Cut Pro

Product type Book
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Pages 708 pages
Edition 1st Edition
Languages
Author (1):
Bruce G. Macbryde Bruce G. Macbryde
Profile icon Bruce G. Macbryde

Table of Contents (27) Chapters

Preface 1. Prologue 2. Part 1:Planning
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Ken Burns on steroids

The Ken Burns effect is a simple way of animating a zoom-in effect when you want to smoothly move from a wide view of a scene to a close-up or vice versa.

You will be familiar with the use of the Ken Burns effect and how the green outline represents the starting point of the change in size and the red outline shows the ending size:

Figure 13.24: Ken Burns green to red

Figure 13.24: Ken Burns green to red

The Ken Burns effect is certainly a quick alternative to keyframing a change of angle. However, you need to be careful that the original image has a high enough resolution, avoiding the zoomed-in portion pixelating. If you have filmed in 4k and have the clip in a 1080p timeline, you will be able to zoom in 2x (or 100%) of the screen size.

You can achieve this by starting the project at 1080p and dragging in the 4k clip. Final Cut Pro will fit the 4k clip into the 1080p timeline. Figure 13.25 shows a 1080p project on the left and a 4k clip added to the 1080p timeline...

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