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Edit without Tears with Final Cut Pro

You're reading from  Edit without Tears with Final Cut Pro

Product type Book
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Pages 708 pages
Edition 1st Edition
Languages
Author (1):
Bruce G. Macbryde Bruce G. Macbryde
Profile icon Bruce G. Macbryde

Table of Contents (27) Chapters

Preface 1. Prologue 2. Part 1:Planning
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Color curves

While you should always try to capture the best image you can with the camera, color curves give you the ability to produce almost as good an image as should have been captured by the camera and fulfill the director’s promise to be able to “fix it in post.”

Color curves were not initially offered with Final Cut Pro; they only became available in late 2017 with version 10.4. They are now a well-used alternative to the color board and the color wheel. Color curves should definitely be part of your color correction arsenal.

The following section looks at the different curves in detail.

Luma curve

All color curves are displayed as graphs; the horizontal axis is at the bottom and the vertical axis is on the left side. I’m going to start by showing the Luma curve, which represents black and white and grayscale, from 0 (black) to 255 (white), with the bottom-left corner being black and the top-right corner being white. There is a 45-degree...

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