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Edit without Tears with Final Cut Pro

You're reading from  Edit without Tears with Final Cut Pro

Product type Book
Published in Mar 2024
Publisher Packt
ISBN-13 9781804614921
Pages 708 pages
Edition 1st Edition
Languages
Author (1):
Bruce G. Macbryde Bruce G. Macbryde
Profile icon Bruce G. Macbryde

Table of Contents (27) Chapters

Preface 1. Prologue 2. Part 1:Planning
3. Chapter 1: It’s All about the Media 4. Chapter 2: Organizing Media 5. Chapter 3: Planning the Video Story 6. Chapter 4: Pre-Editing a Rough Cut 7. Part 2:Editing
8. Chapter 5: Refining the Rough Cut 9. Chapter 6: Fixing and Enhancing the Audio 10. Chapter 7: Titles, Effects, and Generators 11. Chapter 8: Setting Up and Editing Multicam 12. Chapter 9: Project Workflows – Pace and Structure 13. Part 3:Using the Inspector
14. Chapter 10: The Inspector Controls 15. Chapter 11: Using Built-In Plug-Ins 16. Chapter 12: Using Third-Party Plug-Ins 17. Chapter 13: Using Keyframes to Animate Objects in Final Cut Pro 18. Chapter 14: Understanding the Principles of Color 19. Chapter 15: Using Color Scopes for Advanced Color Correction 20. Part 4: Outside Final Cut Pro
21. Chapter 16: Your Job Role – Collaboration 22. Chapter 17: Supporting Software Applications for Final Cut Pro 23. Chapter 18: Troubleshooting Final Cut Pro 24. Chapter 19: Backing Up and Archiving Libraries 25. Index 26. Other Books You May Enjoy

Summary

In this chapter, you learned that multicam editing is the process in Final Cut Pro that edits footage where multiple cameras have recorded the same subject or event from different angles and distances with the same audio source.

You also learned what types of events suit a multicam shoot and how those cameras can be set to film in synchronization. The settings for import and categorization were discussed, both with folders in the computer’s Finder and as keyword collections in Final Cut Pro.

Then, you learned how to create a new multicam clip and understood the difference between the multicam angle timeline and the multicam project. You learned what modifications are best actioned globally in the multicam angle timeline compared to the piecemeal corrections in the multicam project, and that modifications made globally are additive in the multicam project.

Next, you learned about setting up the angles for switching and how the cuts can be modified after switching...

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