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You're reading from  Scoring to Picture in Logic Pro

Product typeBook
Published inSep 2023
PublisherPackt
ISBN-139781837636891
Edition1st Edition
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Author (1)
Prof. Chris Piorkowski
Prof. Chris Piorkowski
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Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).
Read more about Prof. Chris Piorkowski

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Preface

Scoring to Picture in Logic Pro is a book I have wanted to write for a long time. As a professor of film scoring at Liberty University for the last seven years, I was always in search of a textbook or materials for my students to use in their studies. I found that there are a lot of film scoring books circulating in the market, but most of them are outdated because of all of the technological developments in the last 20 years. I wanted to make sure that the most crucial aspects of film music and using Logic Pro from a film composer’s perspective are covered.

I have always been passionate about writing music for film, and working on many projects in the Hollywood industry has given me valuable hands-on experience as a film composer. I’m excited to share my knowledge with all of you, in a compact format for quick learning and use. This book, from beginning to end, not only will give you a comprehensive understanding of synchronization and an overview of how film scoring works but it will also explore how to use Logic Pro in the context of film music.

There are four areas that will be covered:

  • An introduction to scoring to picture
  • Project setup and navigation
  • Methods of scoring to picture
  • Synchronizing music to picture

In this book, you will learn how to “score to picture” in Logic Pro and begin to understand the basic components of video and Logic Pro and the process of synchronization to picture using Logic Pro. I will provide scenarios and real-world examples you can work through that will give you the experience needed to take on a professional film scoring project.

You will learn what film music is and why and how it’s used in film and multimedia, as well as the process of post-production and final film score delivery. You will understand the role of a film, TV, and multimedia composer. It will give you the ability to implement commonly used industry scenarios in real gig environments.

The content reflects current working practices and extensively covers the latest topical issues and some historical aspects when it comes to the synchronization of music to picture and dealing with timing.

After successfully completing and practicing the entire book content, you will be able to enter the professional market of scoring to picture with greater confidence.

Who this book is for

This book is for:

  • Basic and advanced Logic Pro users who are interested in becoming multimedia composers
  • Music enthusiasts, musicians, and aspiring multimedia, film trailer, and game composers
  • Music supervisors, music editors, orchestrators, and advanced film and TV composers

What this book covers

Chapter 1, Understanding Film Music Industry Standards, provides a look at film music and the film music industry, how music blends with film in support of a picture’s needs, and how to prepare for working on a real project.

Chapter 2, Understanding Film Scoring Terminology, provides an overview of film scoring terminology to help with working and setting up a movie file in a Logic Pro session.

Chapter 3, Reviewing QuickTime Video and Video Components, provides an overview of QuickTime video components and how to handle and use them in Logic Pro.

Chapter 4, Setting Up a Movie in Logic Pro, provides an overview of how to work with a movie file in Logic Pro.

Chapter 5, Syncing Logic Pro to Picture, provides an overview of how to align and set up a movie, as well as how to sync Logic Pro to picture.

Chapter 6, Working with Hit Points and Scene Markers, provides an overview of how to create and lock markers to SMPTE.

Chapter 7, Creating Tempo Maps, provides an overview of how to deal with tempo in Logic Pro.

Chapter 8, Working with Beat Mapping, provides an overview of how to align markers and lock them in at specific locations.

Chapter 9, Working with a Time Signature, provides an overview of how to deal with meter and how to implement time signatures with an existing tempo map.

Chapter 10, Scoring a Commercial, provides an overview of how to score a commercial, based on a pre-composed example.

Chapter 11, Shaping the Score and Exporting to Video, provides an overview of how to customize and develop sound that supports and benefits the picture mood.

Chapter 12, Advanced Concepts for Dealing with Timing in Film Music, provides an overview of advanced concepts and methods of how to work with synchronization of music to picture and timing calculations in film music.

To get the most out of this book

Before reading this book, you should have a basic knowledge of Logic Pro, music theory, composition, and film scoring.

Software/hardware covered in the book

Operating system requirements

Logic Pro 10.6.1 and up

macOS Catalina and up

Download the project files

You can download the project files for this book from the following link: https://packt.link/hxCer

If there’s an update to the project files, they will be updated through that link as well.

All audio and video files included in this book were specifically created to be used in conjunction with this book for educational purposes only. None of the project files are permitted to be used or distributed in any form without legal permission under the law.

Conventions used

There are a number of text conventions used throughout this book.

Bold: Indicates a new term, an important word, or words that you see onscreen. For instance, words in menus or dialog boxes appear in bold. Here is an example: “In the Instrument section, from the drop-down menu, select Sampler (Multi-Sample) | Stereo.”

Tips or important notes

Appear like this.

Get in touch

Feedback from our readers is always welcome.

General feedback: If you have questions about any aspect of this book, email us at customercare@packtpub.com and mention the book title in the subject of your message.

Errata: Although we have taken every care to ensure the accuracy of our content, mistakes do happen. If you have found a mistake in this book, we would be grateful if you would report this to us. Please visit www.packtpub.com/support/errata and fill in the form.

Piracy: If you come across any illegal copies of our works in any form on the internet, we would be grateful if you would provide us with the location address or website name. Please contact us at copyright@packt.com with a link to the material.

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Author (1)

author image
Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).
Read more about Prof. Chris Piorkowski