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Scoring to Picture in Logic Pro

You're reading from  Scoring to Picture in Logic Pro

Product type Book
Published in Sep 2023
Publisher Packt
ISBN-13 9781837636891
Pages 412 pages
Edition 1st Edition
Languages
Author (1):
Prof. Chris Piorkowski Prof. Chris Piorkowski
Profile icon Prof. Chris Piorkowski

Table of Contents (19) Chapters

Preface 1. Part 1: An Introduction to Scoring to Picture
2. Chapter 1: Understanding Film Music Industry Standards 3. Chapter 2: Understanding Film Scoring Terminology 4. Chapter 3: Reviewing QuickTime Video and Video Components 5. Part 2: Project Setup and Navigation
6. Chapter 4: Setting Up a Movie in Logic Pro 7. Chapter 5: Syncing Logic Pro to Picture 8. Chapter 6: Working with Hit Points and Scene Markers 9. Part 3: Methods of Scoring to Picture
10. Chapter 7: Creating Tempo Maps 11. Chapter 8: Working with Beat Mapping 12. Chapter 9: Working with a Time Signature 13. Part 4: Synchronizing Music to Picture
14. Chapter 10: Scoring a Commercial 15. Chapter 11: Shaping the Score and Exporting to Video 16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music 17. Index 18. Other Books You May Enjoy

Structuring the cue

Structuring the cue is like creating a musical roadmap. It considers what the music should be doing during the beginning, middle, and end sections of the commercial. Before the composing process begins, it’s important to know the overall story of the commercial. You will want to look at the entire commercial and come up with a structure for the cue, which will involve looking at the scene cuts and determining what type of music needs to be there and when, or you may get a rhythmic idea. This will give you a general overview of what to do musically.

In general, we are going to create one continuous piece of music, or one cue. To outline the process of structuring the cue, we will start with the lo-fi piano to set the overall mood with a few ambient sounds in the background. At bar 11, TC 01:00:24:05 (Cut to the bridge car passing), we’ll start to bring in more sonic elements to start building toward the middle section. At bar 16, we will use the...

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