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Scoring to Picture in Logic Pro

You're reading from Scoring to Picture in Logic Pro

Product type Book

Published in Sep 2023

Publisher Packt

ISBN-13 9781837636891

Pages 412 pages

Edition 1st Edition

Languages

Concepts

Music Production

Author (1):

Prof. Chris Piorkowski

Table of Contents (19) Chapters

Preface

1. Part 1: An Introduction to Scoring to Picture

2. Chapter 1: Understanding Film Music Industry Standards

3. Chapter 2: Understanding Film Scoring Terminology

4. Chapter 3: Reviewing QuickTime Video and Video Components

5. Part 2: Project Setup and Navigation

6. Chapter 4: Setting Up a Movie in Logic Pro

7. Chapter 5: Syncing Logic Pro to Picture

8. Chapter 6: Working with Hit Points and Scene Markers

9. Part 3: Methods of Scoring to Picture

10. Chapter 7: Creating Tempo Maps

11. Chapter 8: Working with Beat Mapping

12. Chapter 9: Working with a Time Signature

13. Part 4: Synchronizing Music to Picture

14. Chapter 10: Scoring a Commercial

15. Chapter 11: Shaping the Score and Exporting to Video

16. Chapter 12: Advanced Concepts for Dealing with Timing in Film Music

17. Index

Why subscribe?

18. Other Books You May Enjoy

Exploring visual synchronization methods used today

When we speak about visual synchronization methods, we’re talking about using picture cueing accompanied by the metronome click. Since the Golden Age of Hollywood, visual synchronization methods have been used to record live orchestra music to picture. In this section, we will look closer at picture cueing in the olden days and how it’s used today.

Picture cueing

Picture cueing is a visual synchronization method that uses superimposed punches and streamers to assist the conductor, during a live orchestra recording session, to synchronize the music to the picture. Punches and streamers are used especially when the music needs to flow, or have a “rubato” feel, and doesn’t need to follow strict rhythmic pulses.

In the past, a streamer was created by etching a marker line in the celluloid film. This appeared as a diagonal line, superimposed over the movie, flowing from the left to the right...

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Authors (1)

Prof. Chris Piorkowski

Professor Chris Piorkowski is an award-winning composer, with a Masters in Music Technology from the University of Newcastle in Australia, an MFA majoring in Music Composition for Film, TV and Multimedia from the Vermont College of Fine Arts, a Diploma in Media Composition from Music for The Media in London, and another Diploma in Sound Engineering from the Audio Institute of America in San Francisco. He has also studied Film Scoring and Orchestration at Berklee College of Music in Boston as well as Film Music Orchestration Steven Scott Smalley and Jazz Piano with Walter Norris. In his professional life, he has worked on countless projects at the legendary Sound City Studios in Los Angeles scoring over 50 projects for TBN, ShowTime, PBS, and Gene Roddenberry (the creator of Star Trek).

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