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Final Cut Pro Efficient Editing - Second Edition

You're reading from  Final Cut Pro Efficient Editing - Second Edition

Product type Book
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Pages 828 pages
Edition 2nd Edition
Languages
Author (1):
Iain Anderson Iain Anderson
Profile icon Iain Anderson

Table of Contents (23) Chapters

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Understanding 360° cameras

Most 360° cameras use two very wide-angle lenses positioned back to back in a relatively thin body, capturing a 2D monoscopic 360° image. Some higher-end cameras use a greater number of lenses in a larger, often spherical body, and may be able to capture a 3D stereoscopic 360° image — separate images for the left and right eyes — though this is rare. No matter how many lenses there are, the image is captured in every direction around the camera, so the position of the camera is far more important than its orientation:

Figure A.1: There are lenses on the front and the back of this Insta360 RS 1-inch 360 Edition camera

Figure A.1: There are lenses on the front and the back of this Insta360 RS 1-inch 360 Edition camera

After capture, the two or more images captured are then processed to form a single image. For consumer cameras, this is fairly straightforward — a single file records the two circular fisheye images next to one another in a large video frame, typically around 6K across in...

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