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Final Cut Pro Efficient Editing - Second Edition

You're reading from  Final Cut Pro Efficient Editing - Second Edition

Product type Book
Published in Jul 2023
Publisher Packt
ISBN-13 9781837631674
Pages 828 pages
Edition 2nd Edition
Languages
Author (1):
Iain Anderson Iain Anderson
Profile icon Iain Anderson

Table of Contents (23) Chapters

Preface PART 1: Importing and Organizing
1 Quick Start: An Introduction to FCP 2 Before the Edit: Production Tips 3 Bring It In: Importing Your Footage 4 Sort It Out: Reviewing and Keywording 5 Choose Your Favorites: Selecting, Rating, and Searching PART 2: Rough Cut to Fine Cut
6 Build the spine of the story: Quick Assembly 7 Cover It Up: Connections, Cutaways, and Storylines 8 Neaten the Edges: Trimming Techniques 9 Consider Your Options: Multicam, Replacing, and Auditions 10 Explore a Little: Compound Clips and Timeline Tricks PART 3: Finishing and Exporting
11 Play with Light: Color Correction and Grading 12 Refine and Smooth: Video Properties and Effects 13 Blend and Warp: Video Transitions and Retiming 14 Boost the Signal: Audio Sweetening 15 A Few Words: Titles and Generators 16 You’re Done: Exporting Your Edit and Finishing Up Other Books You May Enjoy Index Appendix A: 360° Video Workflows

Three-point editing and more

You may not have considered it, but most edits are defined in terms of the source clip (which part of a clip you want to use) rather than the timeline (where you want the clip to go). However, it’s possible to prioritize the timeline instead, and this is sometimes called “three-point editing” because technically, at least three points are defined every time you add a clip. It’s a traditional method, and here, you’ll learn about how to mark part of the timeline to receive a clip and how to connect or overwrite a clip to that region.

So far, we’ve added connected clips in a somewhat haphazard, less controlled way by selecting a few seconds of a clip and then pressing Q. That means that the three points are the In (1) and Out (2) on a Browser clip, plus an In (3) point on the timeline.

But you can flip that “source clip dominance” around by explicitly placing two of those points on the timeline...

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