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The Music Producer's Creative Guide to Ableton Live 11

You're reading from  The Music Producer's Creative Guide to Ableton Live 11

Product type Book
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Pages 468 pages
Edition 1st Edition
Languages
Author (1):
Anna Lakatos Anna Lakatos
Profile icon Anna Lakatos

Table of Contents (23) Chapters

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Parallel Compression

The process of parallel compression (also called New York -style compression) blends a dry audio signal together with a copy of this signal heavily compressed. It can give a really nice excitement and flavor to sounds. It is a widely used technique and can give some real spice to, for example, drums and vocals.

Let’s see how it is done in Live:

  1. Navigate in the Chapter 16 project to the DRUMS track.
  2. Insert a new Return Track. (In this project, this will be Return C.)
  3. Insert the Compressor device onto this new Return Track.
  4. Send the drums via Sends C all the way to the Return Track with the Compressor device on it (Figure 16.14).
Figure 16.14 – The DRUMS track sent all the way to Return Track C

Figure 16.14 – The DRUMS track sent all the way to Return Track C

  1. Now you can hit the Solo button on Return Track C and set up the Compressor device on this Return Track to compress the signal really-really heavily! Go really heavy-handed and over the top with the...
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