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The Music Producer's Creative Guide to Ableton Live 11

You're reading from  The Music Producer's Creative Guide to Ableton Live 11

Product type Book
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Pages 468 pages
Edition 1st Edition
Languages
Author (1):
Anna Lakatos Anna Lakatos
Profile icon Anna Lakatos

Table of Contents (23) Chapters

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Comping in Live 11

Another fantastic new feature arrived with the Live 11 update. If you have used a different DAW before, you most probably came across the comping feature in your DAW before.

We have already looked at how to use Take Lanes and record into them in Chapter 2, Recording Audio in Ableton Live 11. Now, we are going to open that project that we recorded and comp those takes.

I have renamed the clips in the Take Lanes and re-colored them, which you can do by Ctrl + click (right-click for Windows) on the clip and choosing these options from the context menu (see Figure 6.8):

Figure 6.8 – Take Lanes are re-colored and renamed

Figure 6.8 – Take Lanes are re-colored and renamed

You can give this process a bit more thought when you are recording vocals or instruments, also in terms of how you are naming the Take Lanes themselves.

Tip

You can use color coding to indicate the quality of the Take Lanes, so, for example, the not-so-great ones can be orange and the ones that have quite...

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