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The Music Producer's Creative Guide to Ableton Live 11

You're reading from  The Music Producer's Creative Guide to Ableton Live 11

Product type Book
Published in Mar 2023
Publisher Packt
ISBN-13 9781801817639
Pages 468 pages
Edition 1st Edition
Languages
Author (1):
Anna Lakatos Anna Lakatos
Profile icon Anna Lakatos

Table of Contents (23) Chapters

Preface 1. Part 1: The Live Concept and Workflow
2. Chapter 1: Taking a Quick Tour of Ableton Live 11 3. Chapter 2: Recording Audio in Ableton Live 11 4. Chapter 3: Editing Audio and Warping 5. Chapter 4: Exploring MIDI Sequencing Techniques 6. Chapter 5: MIDI Editing and MIDI Effects 7. Part 2: Creative Music Production Techniques with Ableton Live 11
8. Chapter 6: Comping and Track Linking 9. Chapter 7: Discovering Some of Live 11’s Creative Audio Effects 10. Chapter 8: Exploring Device Racks in Live 11 11. Chapter 9: Audio to MIDI Conversion, Slicing to MIDI, and the Simpler Device 12. Chapter 10: Utilizing Arrangement and Organization Techniques in our Ableton Live Project 13. Chapter 11: Implementing Automation and Modulation 14. Chapter 12: Getting Started with MPE in Ableton Live 11 15. Part 3: Deep Dive into Ableton Live
16. Chapter 13: Exploring Tempo Follower, Follow Action, Max for Live, Working with Video, and Ableton Note 17. Chapter 14: Exploring MIDI Mapping, External Instrument, and MIDI CCs 18. Chapter 15: Playing Live 19. Chapter 16: Interesting Mixing Techniques in Live 11 20. Chapter 17: Troubleshooting and File Management 21. Index 22. Other Books You May Enjoy

Looking into sidechaining techniques

Sidechaining lets you use one track to trigger an effect on another. You must have heard, for example, a “pumping sound” on a synth, where the volume of the track drops each time the kick drum hits. That is done with sidechain compression. There are other effects in Live that allow sidechaining too, and we will discover them in this section of the chapter.

Let’s start with sidechain compression.

Sidechaining with compressors

As you probably already know, compressors help to even out the dynamics of a sound, by reducing louder peaks and moving them closer to the quieter parts of the signal.

When applying sidechain compression, the compressor will reduce the volume of the sound each time the sidechain trigger (the other sound) plays.

To examine this effect, in this example, I set up a compressor on the track called SYNTH:

  1. I enabled the Sidechain section by using the toggle to the right button (Figure 7.19...
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