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Mastering Graphics Programming with Vulkan

You're reading from  Mastering Graphics Programming with Vulkan

Product type Book
Published in Feb 2023
Publisher Packt
ISBN-13 9781803244792
Pages 382 pages
Edition 1st Edition
Languages
Authors (2):
Marco Castorina Marco Castorina
Profile icon Marco Castorina
Gabriel Sassone Gabriel Sassone
Profile icon Gabriel Sassone
View More author details

Table of Contents (21) Chapters

Preface 1. Part 1: Foundations of a Modern Rendering Engine
2. Chapter 1: Introducing the Raptor Engine and Hydra 3. Chapter 2: Improving Resources Management 4. Chapter 3: Unlocking Multi-Threading 5. Chapter 4: Implementing a Frame Graph 6. Chapter 5: Unlocking Async Compute 7. Part 2: GPU-Driven Rendering
8. Chapter 6: GPU-Driven Rendering 9. Chapter 7: Rendering Many Lights with Clustered Deferred Rendering 10. Chapter 8: Adding Shadows Using Mesh Shaders 11. Chapter 9: Implementing Variable Rate Shading 12. Chapter 10: Adding Volumetric Fog 13. Part 3: Advanced Rendering Techniques
14. Chapter 11: Temporal Anti-Aliasing 15. Chapter 12: Getting Started with Ray Tracing 16. Chapter 13: Revisiting Shadows with Ray Tracing 17. Chapter 14: Adding Dynamic Diffuse Global Illumination with Ray Tracing 18. Chapter 15: Adding Reflections with Ray Tracing 19. Index 20. Other Books You May Enjoy

Breaking down large meshes into meshlets

In this chapter, we are going to focus primarily on the geometry stage of the pipeline, the one before the shading stage. Adding some complexity to the geometry stage of the pipeline will pay dividends in later stages as we’ll reduce the number of pixels that need to be shaded.

Note

When we refer to the geometry stage of the graphics pipeline, we don’t mean geometry shaders. The geometry stage of the pipeline refers to input assembly (IA), vertex processing, and primitive assembly (PA). Vertex processing can, in turn, run one or more of the following shaders: vertex, geometry, tessellation, task, and mesh shaders.

Content geometry comes in many shapes, sizes, and complexity. A rendering engine must be able to deal with meshes from small, detailed objects to large terrains. Large meshes (think terrain or buildings) are usually broken down by artists so that the rendering engine can pick out the different levels of details...

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