With pencils sharpened and a steaming pot of fresh coffee we're now ready to jump into the GROME interface. The user interface might appear intimidating with dozens of icons framing the window. We're going to focus on the main parts of the interface shown in the image as follows:
The viewports have resizable dividers; you can drag them around individually and toggle between the split and tabbed views by double-clicking on them.
Located in the top-right corner of every viewport are two icons shown in the following screenshot. The left icon brings up the "Context" menu, this shows operations applicable to the currently selected object. The second is the "View" menu that displays options for adjusting the camera and rendering modes (textured, wireframe, lit, fog, top, left, perspective, walk, and so on).
When the viewport is active, standard WSAD keys move the camera. Holding down Shift increases the movement speed. To move the camera up and down use the E and C keys respectively. There are many useful keyboard shortcuts for navigating scenes. You can view these by going to Menu Options | Customize Keyboard; choose Group | Application and change the drop-down box that reads Category to Viewport. This will display a list of all keyboard shortcuts for the camera...
All of the editing functions we'll be using are located in two main areas of the interface; the Tool panel and the Workspace panel. Both of these panels are headed by two rows of tabs which we make good use of, so get familiar with them.
The first row is like a master mode and the second row of tabs gives access to the submode. The Workspace panel is located to the left-hand side of the viewports in the default interface layout.
Workspace is an overview of what our current scene contains, scene settings, layers, and any objects we're using.
The scene tab allows access to how a scene is rendered and contains settings for the camera field of view (FOV), camera range, lighting, and fog. This is illustrated in the following image:
We can adjust how a fog is rendered by changing the color and range through the scene.
Click on the Workspace master mode (first tab icon).
Select the Scene tab to bring up the scene tree.
Right-click on the Fog node and select Properties...
Located to the right-hand side of the viewport, the tools panel has a lot of features packed into it. Hosting all the content-editing functions, the tools panel is headed by three tabs to select from three kinds of editing. They are given as follows:
Terrain
World (Roads)
Objects (instanced entities)
Most of our work will be done with the Terrain tools. Working from the left-hand side to the right-hand side, the second row of icons are: Create (zone), Modifiers, Selection, Texturing, Details, and Water. This roughly follows the workflow in a GROME project. The Tool panel icons are shown as follows:
Creating landscapes isn't a rigidly defined process. If you had to define a flow through the creation process it would look like the following diagram:
Starting with the creation of zones, we edit our heightmaps, paint and texture the landscape before adding landscape features such as roads, rivers, and vegetation. Finally, we export everything. Depending on our destination platform we might skip one or more of these stages and use native 3D game engine features for them. If the scope of the game is small you might use GROME for heightmap creation and painting everything else in the Unity 3D editor.
It is possible at any time to go back and change the density of a terrain grid if you need more (or less) detail.
Zones are containers for terrains, objects, masks, and roads, but importantly they define size and terrain resolution. Each one can have its own properties. This allows us to create landscapes with variable amounts of detail according to the needs of a game. You can create zones anywhere in the scene; they don't need to be contiguous. Creating very long narrow terrains that follow the length of a river are possible; an "on-rails" game that follows a long winding path does not have a huge regular terrain grid. However, for simple exporting to game engines it is best if we stick to a square arrangement, as game editors don't natively support asymmetric layouts.
The Zone toolbox tab is shown in the following screenshot:
We can create zones in several ways; the easiest is entering size parameters and using the mouse to define an area called the Active Creation Grid in the scene.
Click on the Zone button to activate the creation process. You'll see the scene divided by a grid (the scale...
As we have a blank project ready to roll, the first thing we need for it (or any new project) is some terrain to play with. Terrain grids are constructed from zones and we are going to start with the first button on the toolbar Create. To create terrain for our game we must start with zones.
Our volcano project will need a high level of detail, we're going to make an island of approximately 10 square kilometers. Since we want it to be reasonably detailed, we'll create it with the following values for a 5 square kilometer zone:
Size=5120, Tile no.=512, Tile size=10
Note that our map is not exactly 5 km since we like to use nice computing numbers which are a power of 2. The map measures exactly 5.12 km.
Next we'll mark out a quad of four zones (2 x 2) which will be the base of our map. When we're done with the values and the region we've marked, click on the Create button. A layer is automatically created and armed in the Workspace panel on the right-hand side.
We can...
In this chapter, we explored the main areas of the interface, the layer-stack and Tool panel. We went through the functions for creating zones including splitting, modifying, using layers and started work on a map for a video game based on an island. In the next chapter, we will look at the heightmap toolset using brushes and procedural functions.
© 2013 Packt Publishing Limited All Rights Reserved
