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The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

You're reading from  The Music Producer's Ultimate Guide to FL Studio 21 - Second Edition

Product type Book
Published in Jun 2023
Publisher Packt
ISBN-13 9781837631650
Pages 462 pages
Edition 2nd Edition
Languages
Author (1):
Joshua Au-Yeung Joshua Au-Yeung
Profile icon Joshua Au-Yeung

Table of Contents (20) Chapters

Preface Section I: Getting Up and Running with FL Studio
Getting Started with FL Studio Exploring the Browser, Playlist, and Channel Rack Composing with the Piano Roll Routing to the Mixer and Applying Automation Section II: Music Production Fundamentals
Sound Design and Audio Envelopes Compression, Sidechaining, Limiting, and Equalization Stereo Width (Panning, Reverb, Delay, Chorus, and Flangers) and Distortion Recording Live Audio and Vocal Processing Vocoders and Vocal Chops Creating Your Own Instruments and Effects Intermediate Mixing Topics and Sound Design Plugin Effects Section III: Postproduction and Publishing Your Music
Mastering Fundamentals Marketing, Content Creation, Getting Fans, and Going Viral Publishing and Selling Music Online Other Books You May Enjoy
Index

Understanding compression

When mixing, we call the range in volume from loud to quiet the dynamic range. Compression is an effect to be applied to a sound to reduce the dynamic range. After compression is applied to a sound, the loudest parts of the sound become quieter relative to the quieter parts. The volume of the whole sound is then raised. Reducing the dynamic range means that you have less change between the quietest and the loudest parts of your sound.

Why would you want to use compression? Imagine you were having a conversation with someone and wanted someone else to hear a recording of the dialog. In the recording, some parts of the dialog might be really loud while others might be quiet. You might whisper in some parts and yell in others; you might move close to or further away from the microphone. All of these factors will affect the volume of the end result of the recording. For someone listening to the recording, you don’t want them to be struggling to hear...

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